Throughout Africa, travel writer Brendan Harding discovers that the humble and harmless chameleon has taken first prize for being the continent’s most reviled and feared creature.
According to Kenya’s Kamba people when Ngai Mulungu (the all-powerful God) created the world it was his intention that man should live forever. Mulungu sent the chameleon to deliver his news to man; but, in true chameleon fashion, the reptile, as is his nature, dallied. To add to man’s woes, the chameleon stammered while delivering his divine news and the message was lost forever.
Throughout Africa the myth takes different paths. Like the Kenyan version - in Malawi, Mozambique and Tanzania - it is said that God had given the message to the chameleon but was overheard by the lizard, who, being swifter, ran ahead to pass on the news. The lizard misheard God’s words and informed the people that they were destined to die and there would be no eternal life. When the chameleon finally arrived with the real story he was ridiculed by the people who told him that he was stupid and they already knew that they would die and that death would be the end of everything. From that moment onwards the poor chameleon was branded a liar, a cheat and one never to be trusted.
To this day the belief lingers across Africa, either in real life or superstition, that man’s eventual destiny has been caused by the actions of the slow-moving and hesitant chameleon resulting in the animal being greatly feared and hated.
The list of myths associated with chameleons is long and varies from country to country. Some say that if a chameleon touches your skin they will attach themselves and they can only be removed along with the skin itself. The fact is simple; chameleons live most of their lives climbing in trees and bushes hanging on to slender branches for dear life. With this lifestyle their grip is bound to be firm, but by no means possesses the quality of some super adhesive.
Other myths claim a chameleon crossing your path brings bad luck, or if a pregnant woman sees one she will have a difficult childbirth, or that a young woman will remain unwed if a chameleon looks into her eyes. One myth I heard, was that if hunters came across a chameleon they should abort the hunt as it has been cursed. But I have also heard the same myth about woodpeckers and bush babies.
It can be expected, and understood even, that a creature with the ability to change colour, swivel its eyes independently and possesses a tongue which is as long as its body and can be sent darting from its mouth to capture prey, is bound to be treated with suspicion. But I had never expected to witness, first-hand the degree of fear they are capable of invoking.
Some years back, while staying at one of Kenya’s best known hotels, the Keekorok Lodge on Kenya’s Maasai Mara, I had a run in with a high-casqued or helmeted chameleon (trioceros hoehnelii to be precise). Actually the run in was with the chamber maid who had come to attend to my room while I was out on a game drive, and not with the actual creature itself.
On my return as I walked between the hotel’s rooms which were located beneath mature and lushly foliaged trees I hadn’t a care in the world. During the course of the game drive I had witnessed one of the most spectacular sights I’ve come across in Kenya; a pride of fourteen lions who had been chased high up onto a rocky outcrop by two very large buffalo. For over an hour I had watched as they perched safely on the rocks, well beyond the reach of the angry bovines, where they stood peering down and shivering like a family of scared kittens.
Suddenly my thoughts were shattered by a piercing scream. For some reason my immediate thoughts were that a lion or leopard had somehow infiltrated the hotel’s well-secured grounds. There, outside my room, a large Kenyan woman had dropped her mop and buckets and stood rooted to the spot, one hand over her mouth, the other pointing in fear to the tree above. Behind her an equally large man stood cowering for protection behind the flimsiest of bushes.
In the tree where I expected to see a leopard, a chameleon, about ten inches long, made its way along a long branch in slow, deliberate movements. The woman when she saw my presence began to babble. Meanwhile a Maasai security guard was arriving carrying enough weapons to undertake a dawn raid on a neighbouring tribe’s cattle. Mr Chameleon was about to meet his doom I feared.
I like chameleons and wasn’t about to have the blood of one on my hands. Trying to calm the woman – and her Maasai companion who was about to make war on trioceros hoehnelii – I began to tell the woman a story.
The story, which I made up on the spot, went something like this. I told her that the chameleon was my totem; it was my own personal good luck charm. She seemed unsure. Everywhere I go in Kenya, I told her, a chameleon turns up and watches over me, like the spirit of a benevolent ancestor. The woman appeared calmer and began translating to the ‘warrior’ who in turn lowered his weapons. I smiled, “Kinyonga, rafiki,” I said. “The chameleon is my friend.”
For some strange reason the creature, who moments earlier was only a tongue-flick from death, was spared and the maid and her companions went on their way, occasionally looking over their shoulders nodding their heads at the strange white-man.
That evening at dinner I was approached by the hotel’s manager. “So,” he said smiling wryly, “you are the one with Kinyonga watching over you. Next time you come to visit, please,” he implored, “let me know in advance that you will have a room guest.”
He turned and walked away, but I was sure I could hear him snigger softly as he left the room.
The author stayed at Keekorok Luxury Safari Lodge, Masai Mara, Kenya.
http://www.mahlatini.com/kenya-safaris/masai-mara/keekorok-lodge?ad=keekorok&gclid=COvX37Wgl7ACFQpC4QodBlif1w
Located in the very heart of Kenya's fabled Masai Mara National Reserve, Keekorok, meaning motley abundance in the local Masai language, was one of the first Lodges constructed in the reserve on a choice eighty acre site in an area of permanent springs and lush grassland. The location of Kekorok Lodge is excellent for wildlife, animals will come right up to the lodge allowing you a great up close experience before you have even got out on a game drive. Guests are accommodated in rooms in single storey stone bungalows made to have a low impact on the environment whilst giving guests a high standard of comfort.
Brendan Harding's Trivial World of Travel
Travel to make you think...
Wednesday, May 23, 2012
Blame the Chameleon!
Labels:
African Folklore,
Chameleon,
Kenya,
Myths,
Ngai
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Saturday, May 19, 2012
Copenhagen – Europe’s Time Machine
New and old share the spaces of the Danish capital in equal measure. Travel writer Brendan Harding tours the city by boat and on foot, never quite sure what year, or even what century it is.
It’s nice to know that I have something in common with stars like Kirk Douglas, Gregory Peck and Errol Flynn. Nice indeed, but what?
They were famous; I’m not. They were wealthy; church mice look upon me with pity. They were fine athletes; whereas, the only thing I know about barbells is when looking for the attention of a missing barman. So what is it?
The answer lies in a majestic building; a building with the looks of a silent-screen beauty and the aesthetic lines of an Art Nouveau sculpture: Copenhagen’s Palace Hotel.
At some point or another in our lives we have each had the pleasure of donning the bathrobes of this elegant establishment, or peering from its great windows onto the busy Radhuspladsen as the citizens of Denmark’s first city scurry about their business. The Palace is imbued with a feeling of belle-époque elegance, gentility and the same sense of style and attention to detail which Copenhagen holds in spades.
As the first five star hotel in the Nordic area The Palace possesses the same architectural elegance which causes visiting tourists on the main shopping street, Stroget, to look upwards instead of peering covetously at the stylish contents of the shop windows. Along this historic pedestrian thoroughfare Copenhagen oozes style, both historic and modern.
In a city surrounded by water, one of the best ways to view Copenhagen’s own brand of style is from the water, and a canal boat tour, taken from Nyhaven, provides the perfect viewing platform.
Passing under low bridges into the open harbour the city opens up in all its splendour. The spiralling tower of Vor Frelsers Kirke (Church of Our Saviour) on one side offers a contrast to the modern façade of the Playhouse, the home of the royal Danish theatre, which looms on the opposite bank like a marine behemoth.
As the rain begins to spit down the American woman opposite me chanced a question, “Do you think we’ll get to the see the Little Mermaid?” I assured her we would. She smiled so brightly that I hadn’t the heart to tell her the statue was a great deal smaller than most people imagine.
The boat passed the Opera House, the old torpedo boat factory, past affluent canal-side homes, art cafes and galleries. The guide was busy calling the names of famous buildings, both modern and antique, side by side as the American watched the horizon with bated breath.
We passed the navy base, the school of architecture, the school of dance, the naval officers’ academy and a dry-docked submarine. A giant crane rose from the quayside and tore at the underbelly of the passing clouds. “For the adventurous,” the guide announced, “you may even bungee-jump from this crane in summer.” The American lady didn’t even notice; her eyes fixed firmly on the water.
“And now we will be stopping here,” the guide said, “to allow those who wish to see the statue of the Little Mermaid disembark and spend some time.” The American lady’s face glowed with delight. “Oh my gosh!” she fussed, gathering her belongings and left.
The tour continued until I had seen the whole city from the water; past the naval battery, the Royal Pavilion, the Royal Palace and the gleaming black monolithic structure of the city library, ancient and modern hand in hand. But as I’ve said, Copenhagen is a city of the past, the present and the future.
I disembarked and wandered the streets, content with viewing the city’s sights from the outside. Time was short and a taste was all I required. Down the backstreets and alleyways of the old town the city’s charm resonates with life. Coffee shops full with smart, youn, people. Designer retailers dressed their windows with hand-crafted goods; woollens, hand-made toys, confectionery, silverware; a cornucopia for the senses. But unlike other cities, Copenhagen’s streets are alive with the people who live here; in the city’s beating heart.
As darkness claimed the streets I had an appointment to keep. On Longangstraede I entered the doorway of an ancient building lit with a single neon sign - Mojo Blues Bar. The band was already on stage and the crowd were already swaying to an upbeat groove. It took me a minute to realise but the air was fogged with cigarette smoke. Here, where people live healthy, action-packed lives, cigarettes? I asked the barman how come it was OK to smoke. “Hey,” he answered, “it’s a blues bar!” as if that answered everything.
But that’s Copenhagen’s way of doing things. Everything is about style and if a blues bar demands whirls of rising smoke, then, whirls of rising smoke is what it gets.
Fortified by too many Tuborgs I Errol Flynned my way back to the hotel. In the lobby I met my American; poring over a map, taking notes for tomorrow. “Hi,” I said, “did you get to see your Little Mermaid?” I expected disappointment. “Oh, it was marvellous,” she enthused. I waited a moment. “Didn’t you find it… just a bit… small?” “Oh no,” she replied, “I was here many years ago with my late husband. It was our honeymoon.” For a moment she seemed far away. “So you weren’t disappointed?” I asked. The woman smiled again, “Gosh no,” she said. “I loved it so much I’m going to take our daughter and her kids next time. Her father loved it so much…” she said quietly and disappeared up the winding stairs. But that’s Copenhagen for you, a place where the past, present and future all meet.
Getting There:
SAS Airways – www.flysas.com
What to do in Copenhagen:
Copenhagen – www.visitcopenhagen.com
Copenhagen Card:
Copenhagen Card (Free entry to 65 attractions. Free transport by train, bus and Metro in the entire Copenhagen Region, plus from/to the airport. Discounts on restaurants, car-hire, shops and sights) - http://www.visitcopenhagen.com/book-your-stay/copenhagen-card#order
Staying There:
Palace Hotel - http://palacehotelcopenhagen.com/
Eating There:
Kodbyens Fiskebar – www.fiskebaren.dk/en/
It’s nice to know that I have something in common with stars like Kirk Douglas, Gregory Peck and Errol Flynn. Nice indeed, but what?
They were famous; I’m not. They were wealthy; church mice look upon me with pity. They were fine athletes; whereas, the only thing I know about barbells is when looking for the attention of a missing barman. So what is it?
The answer lies in a majestic building; a building with the looks of a silent-screen beauty and the aesthetic lines of an Art Nouveau sculpture: Copenhagen’s Palace Hotel.
At some point or another in our lives we have each had the pleasure of donning the bathrobes of this elegant establishment, or peering from its great windows onto the busy Radhuspladsen as the citizens of Denmark’s first city scurry about their business. The Palace is imbued with a feeling of belle-époque elegance, gentility and the same sense of style and attention to detail which Copenhagen holds in spades.
As the first five star hotel in the Nordic area The Palace possesses the same architectural elegance which causes visiting tourists on the main shopping street, Stroget, to look upwards instead of peering covetously at the stylish contents of the shop windows. Along this historic pedestrian thoroughfare Copenhagen oozes style, both historic and modern.
In a city surrounded by water, one of the best ways to view Copenhagen’s own brand of style is from the water, and a canal boat tour, taken from Nyhaven, provides the perfect viewing platform.
Passing under low bridges into the open harbour the city opens up in all its splendour. The spiralling tower of Vor Frelsers Kirke (Church of Our Saviour) on one side offers a contrast to the modern façade of the Playhouse, the home of the royal Danish theatre, which looms on the opposite bank like a marine behemoth.
As the rain begins to spit down the American woman opposite me chanced a question, “Do you think we’ll get to the see the Little Mermaid?” I assured her we would. She smiled so brightly that I hadn’t the heart to tell her the statue was a great deal smaller than most people imagine.
The boat passed the Opera House, the old torpedo boat factory, past affluent canal-side homes, art cafes and galleries. The guide was busy calling the names of famous buildings, both modern and antique, side by side as the American watched the horizon with bated breath.
We passed the navy base, the school of architecture, the school of dance, the naval officers’ academy and a dry-docked submarine. A giant crane rose from the quayside and tore at the underbelly of the passing clouds. “For the adventurous,” the guide announced, “you may even bungee-jump from this crane in summer.” The American lady didn’t even notice; her eyes fixed firmly on the water.
“And now we will be stopping here,” the guide said, “to allow those who wish to see the statue of the Little Mermaid disembark and spend some time.” The American lady’s face glowed with delight. “Oh my gosh!” she fussed, gathering her belongings and left.
The tour continued until I had seen the whole city from the water; past the naval battery, the Royal Pavilion, the Royal Palace and the gleaming black monolithic structure of the city library, ancient and modern hand in hand. But as I’ve said, Copenhagen is a city of the past, the present and the future.
I disembarked and wandered the streets, content with viewing the city’s sights from the outside. Time was short and a taste was all I required. Down the backstreets and alleyways of the old town the city’s charm resonates with life. Coffee shops full with smart, youn, people. Designer retailers dressed their windows with hand-crafted goods; woollens, hand-made toys, confectionery, silverware; a cornucopia for the senses. But unlike other cities, Copenhagen’s streets are alive with the people who live here; in the city’s beating heart.
As darkness claimed the streets I had an appointment to keep. On Longangstraede I entered the doorway of an ancient building lit with a single neon sign - Mojo Blues Bar. The band was already on stage and the crowd were already swaying to an upbeat groove. It took me a minute to realise but the air was fogged with cigarette smoke. Here, where people live healthy, action-packed lives, cigarettes? I asked the barman how come it was OK to smoke. “Hey,” he answered, “it’s a blues bar!” as if that answered everything.
But that’s Copenhagen’s way of doing things. Everything is about style and if a blues bar demands whirls of rising smoke, then, whirls of rising smoke is what it gets.
Fortified by too many Tuborgs I Errol Flynned my way back to the hotel. In the lobby I met my American; poring over a map, taking notes for tomorrow. “Hi,” I said, “did you get to see your Little Mermaid?” I expected disappointment. “Oh, it was marvellous,” she enthused. I waited a moment. “Didn’t you find it… just a bit… small?” “Oh no,” she replied, “I was here many years ago with my late husband. It was our honeymoon.” For a moment she seemed far away. “So you weren’t disappointed?” I asked. The woman smiled again, “Gosh no,” she said. “I loved it so much I’m going to take our daughter and her kids next time. Her father loved it so much…” she said quietly and disappeared up the winding stairs. But that’s Copenhagen for you, a place where the past, present and future all meet.
Getting There:
SAS Airways – www.flysas.com
What to do in Copenhagen:
Copenhagen – www.visitcopenhagen.com
Copenhagen Card:
Copenhagen Card (Free entry to 65 attractions. Free transport by train, bus and Metro in the entire Copenhagen Region, plus from/to the airport. Discounts on restaurants, car-hire, shops and sights) - http://www.visitcopenhagen.com/book-your-stay/copenhagen-card#order
Staying There:
Palace Hotel - http://palacehotelcopenhagen.com/
Eating There:
Kodbyens Fiskebar – www.fiskebaren.dk/en/
Tuesday, May 15, 2012
Lost towns and found saints
It’s surprising what you’ll find right on your doorstep. On the banks of the River Nore in County Kilkenny, travel writer Brendan Harding discovers a gem at Jerpoint Park where history and tradition bursts to life.
Once upon a time, in the dark-ages of my education, I had a history teacher. This teacher’s idea of punishment for my inability – or perhaps unwillingness – to learn verbatim the chronological timeline of the Kings of England was to have me copy, by hand, the complete, twelve-page chapter from the a book – twice!
The result of this wrist-aching and futile punishment was this: not only did I not learn the dates in question, but I was soundly infected with an aversion to learning any historical dates, facts or figures for a very long time to come.
To this day I still find it difficult to control my attention span, as I follow in the wake of some well-meaning guide as they lead me through the transept or chancel of yet another ecclesiastical masterpiece; listing dates and names which, to my uneducated mind, are akin to the mumblings of a caller at a Sunday night bingo hall.
But then, very rarely, something happens and I am lucky enough to meet a person who has the ability, through sheer enthusiasm and plain language, to part the earth and bring history bursting to life. Joe O’Connell is one such man.
As we walk his windswept lands at Jerpoint Park, just outside the lazy town of Thomastown in the county of Kilkenny, Joe stops and leans on his stick. “I’m privileged,” he says, “to be the custodian of this place and to make sure that its here for the next generations to come.” And I can see he means it.
For Joe, along with his wife Maeve and their two children Annabelle and Nicholas Jerpoint Park is their home; however, unlike most regular homeowners the family have been bestowed with a treasure trove of history buried in their very backyard, and what’s more, they’ve opened it to the public.
In the year 1200 a town was born here on their lands. The town was called Newtown Jerpoint and served as a trading centre on the newly built toll bridge over the river Nore. The town was mainly inhabited by tradesmen, craftsmen or merchants, engaged in buying selling and exchanging their wares on this busy thoroughfare of mediaeval commerce.
The town thrived for a further six hundred years and then as suddenly as it had arisen, it disappeared. It was as if a hand had swept the board of life and left the landscape clean except for the remains of a stone tower and an ample church.
But the town has not disappeared completely and with a little imagination and Joe’s guidance the town springs to life. Every hillock and mound, every hollow and pile of stones has a story. “If you follow this line,” Joe says pointing with his stick, “you can see that this was a street running from East to West.” And he was right. 1200 years after its foundation the street is still clearly visible. At its edges the boundaries of houses and farm plots are traced in the earth, discernable by the raised platforms now covered in spring grass. “And this is another street running from North to South. Where the two streets meet was the market square where they’d sell their animals and any produce they had.”
The land has another surprise, one I wasn’t expecting. In the cemetery beside the ruined stone church where headstones lean at awkward angles beside those of those of the mostly recently interred owners of the land, Joe pointed to the largest of the flat tombs. “What do you see?” he asked. Etched in the stone I could make out the shape of a man lying on his back, his hands open in giving. Over each shoulder a small circular face peered back at me. I outlined my thoughts as he smiled wryly. “This is the tomb of St. Nicholas,” he pronounced as if he was introducing me to another member of his family.
St. Nicholas was the Bishop of Myra in Turkey where he was buried after his death in the 4th Century. During the crusades the returning knights rescued his remains from the advancing Saracen armies and carried them to Bari in Italy where they were reburied. Legend has it that two knights removed the remains once again and carried them first to France and then here, to the furthest part of the Christian world where they would be safe forever. If the legends are to be believed, this large stone slab, lying in a windswept field in the county of Kilkenny, is the last resting place of one of Christianity’s best loved saints. It was a lot to take in.
Back at the house over hot tea and delicious scones, Joe and Maeve chatted like old friends. A mother and her young son arrived and joined the conversation clearly impressed by all they had seen. The couple explained that their vision for Jerpoint Park is not all about history. For a family day out there are pony and trap rides, nature walks, fishing on the river and even sheep dog demonstrations. “Would you like to see one?” Joe asked.
Outside the house – itself with a long and intriguing history – the sight of a man as he called a string of commands to a crouching sheepdog, who in turn herded a flock of white geese along the driveway only added to the surreal nature of the place. The face of the young boy who had joined us in the tea room said it all. You just don’t know what surprises lie waiting on your doorstep, until you go looking.
GETTING THERE:
Jerpoint Park, Thomastown, Co. Kilkenny is located 2km south west of Thomastown. Traveling south from Thomastown turn right at Goatsbridge Trout Farm for 100m.
CONTACT:
www.jerpointpark.com
www.jerpoint.ie
Tel: +353 (0)56 7793186
ACTIVITIES:
Jerpoint Park is a unique experience of country living, heritage and traditional activities in a very special destination.
• Guided tours of the lost town of Newtown.
• Sheepdog demonstrations.
• Angling on the river Nore as a solo or family activity – rods and tackle available for hire.
• Fun and adventure can be enjoyed in the gardens, woodland trail or miniature toy farm.
• Enjoy a river walk by the banks of the Nore.
• Delightful tea rooms in a period setting.
Once upon a time, in the dark-ages of my education, I had a history teacher. This teacher’s idea of punishment for my inability – or perhaps unwillingness – to learn verbatim the chronological timeline of the Kings of England was to have me copy, by hand, the complete, twelve-page chapter from the a book – twice!
The result of this wrist-aching and futile punishment was this: not only did I not learn the dates in question, but I was soundly infected with an aversion to learning any historical dates, facts or figures for a very long time to come.
To this day I still find it difficult to control my attention span, as I follow in the wake of some well-meaning guide as they lead me through the transept or chancel of yet another ecclesiastical masterpiece; listing dates and names which, to my uneducated mind, are akin to the mumblings of a caller at a Sunday night bingo hall.
But then, very rarely, something happens and I am lucky enough to meet a person who has the ability, through sheer enthusiasm and plain language, to part the earth and bring history bursting to life. Joe O’Connell is one such man.
As we walk his windswept lands at Jerpoint Park, just outside the lazy town of Thomastown in the county of Kilkenny, Joe stops and leans on his stick. “I’m privileged,” he says, “to be the custodian of this place and to make sure that its here for the next generations to come.” And I can see he means it.
For Joe, along with his wife Maeve and their two children Annabelle and Nicholas Jerpoint Park is their home; however, unlike most regular homeowners the family have been bestowed with a treasure trove of history buried in their very backyard, and what’s more, they’ve opened it to the public.
In the year 1200 a town was born here on their lands. The town was called Newtown Jerpoint and served as a trading centre on the newly built toll bridge over the river Nore. The town was mainly inhabited by tradesmen, craftsmen or merchants, engaged in buying selling and exchanging their wares on this busy thoroughfare of mediaeval commerce.
The town thrived for a further six hundred years and then as suddenly as it had arisen, it disappeared. It was as if a hand had swept the board of life and left the landscape clean except for the remains of a stone tower and an ample church.
But the town has not disappeared completely and with a little imagination and Joe’s guidance the town springs to life. Every hillock and mound, every hollow and pile of stones has a story. “If you follow this line,” Joe says pointing with his stick, “you can see that this was a street running from East to West.” And he was right. 1200 years after its foundation the street is still clearly visible. At its edges the boundaries of houses and farm plots are traced in the earth, discernable by the raised platforms now covered in spring grass. “And this is another street running from North to South. Where the two streets meet was the market square where they’d sell their animals and any produce they had.”
The land has another surprise, one I wasn’t expecting. In the cemetery beside the ruined stone church where headstones lean at awkward angles beside those of those of the mostly recently interred owners of the land, Joe pointed to the largest of the flat tombs. “What do you see?” he asked. Etched in the stone I could make out the shape of a man lying on his back, his hands open in giving. Over each shoulder a small circular face peered back at me. I outlined my thoughts as he smiled wryly. “This is the tomb of St. Nicholas,” he pronounced as if he was introducing me to another member of his family.
St. Nicholas was the Bishop of Myra in Turkey where he was buried after his death in the 4th Century. During the crusades the returning knights rescued his remains from the advancing Saracen armies and carried them to Bari in Italy where they were reburied. Legend has it that two knights removed the remains once again and carried them first to France and then here, to the furthest part of the Christian world where they would be safe forever. If the legends are to be believed, this large stone slab, lying in a windswept field in the county of Kilkenny, is the last resting place of one of Christianity’s best loved saints. It was a lot to take in.
Back at the house over hot tea and delicious scones, Joe and Maeve chatted like old friends. A mother and her young son arrived and joined the conversation clearly impressed by all they had seen. The couple explained that their vision for Jerpoint Park is not all about history. For a family day out there are pony and trap rides, nature walks, fishing on the river and even sheep dog demonstrations. “Would you like to see one?” Joe asked.
Outside the house – itself with a long and intriguing history – the sight of a man as he called a string of commands to a crouching sheepdog, who in turn herded a flock of white geese along the driveway only added to the surreal nature of the place. The face of the young boy who had joined us in the tea room said it all. You just don’t know what surprises lie waiting on your doorstep, until you go looking.
GETTING THERE:
Jerpoint Park, Thomastown, Co. Kilkenny is located 2km south west of Thomastown. Traveling south from Thomastown turn right at Goatsbridge Trout Farm for 100m.
CONTACT:
www.jerpointpark.com
www.jerpoint.ie
Tel: +353 (0)56 7793186
ACTIVITIES:
Jerpoint Park is a unique experience of country living, heritage and traditional activities in a very special destination.
• Guided tours of the lost town of Newtown.
• Sheepdog demonstrations.
• Angling on the river Nore as a solo or family activity – rods and tackle available for hire.
• Fun and adventure can be enjoyed in the gardens, woodland trail or miniature toy farm.
• Enjoy a river walk by the banks of the Nore.
• Delightful tea rooms in a period setting.
Labels:
Jerpoint Abbey,
Jerpoint Park,
Lost Town,
St Nicholas
| Reactions: |
Thursday, May 10, 2012
The Writing Is On The Wall
I was eight, in a darkened bedroom and quietly drawing by torch-light the figure of an animal on the clean white wall. Suddenly, the lights came on and my experiment with cave-art came to a swift conclusion. Dropping the tools of my trade I desperately tried to explain then pointed dumbly to the picture of a charging bison in the open pages of a magazine by my side; my mother was having none of it.
She was not familiar with the legendary Caves of Altamira with their magnificent and ancient wall paintings, or if she was, now was not the time to discuss their artistic merits. I felt hard done by as I scrubbed my efforts from the wall and wondered if some youth in Altamira had suffered the same tribulations for his art, a very long time ago.
Almost forty years later I stepped out of the bright Spanish sunshine and into another darkened room where I saw that very same bison which had charged from the pages of my childhood. Altamira has been on my ‘must see’ list for as long as I can remember, and so, one mid-September morning I arrived in the Cantabrian city of Santander, my final staging point for Altamira.
Santander, embracing a wide crescent-shaped bay, arrives as a welcome surprise. A Spanish holiday resort left over from a belle époque when royalty took the sea air and nobility strolled the beaches of El Sardinero. Balconied and brilliant white hotels line the promenade and flags flutter in the breeze from the dome of its Casino.
One street back from the sea the classical charm of the old world Hostal Paris offered a calm refuge. Its rooms have high spacious ceilings and were dressed tastefully with antique cane furniture accentuating their lightness. An elderly countess sitting with her embroidery and chaperoning a fair-skinned debutant in the downstairs drawing room would not have seemed at all out of place.
Once refreshed hunger drew me towards the old city and its narrow back-streets where I was spoiled for choice. Tapas bars were everywhere. Jamon Iberico cut with the precision of a surgeon, anchovies, seafood salads and tiny rounds of black pudding topped with even tinier fried quail eggs were washed down with brimming glasses of rich local wines. One could easily spend an evening hopping from tapas bar to tapas bar, sampling the inventiveness of their chefs. But alas, this was not my purpose and duty called.
Altamira stands on a hillside in rural Cantabria 30km West of Santander. To the North the land slopes easily past the butter-coloured stone houses and museums of Santillana del Mar – described by Jean Paul Sartre as “the most beautiful village in Spain”, – over rolling countryside where buff-coloured cattle graze on fragrant grasses, their bells tinkling in the breeze and on towards the long sandy beaches of Comillas. To the South the landscape gathers momentum culminating in the mountains of the Reserva Nacional de Saja and further again to the towering peaks of Los Picos de Europa; a nature lover’s paradise whose skies are filled with birds of prey and its forests run with wildlife.
In 1879 one Marcelino Salz de Sautuola, a learned man with an inquisitive mind who lived close to Altamira, was exploring a cave with his young daughter when she uttered the famous words “Mira papa, bueyes!”, “look father, oxen!” And so it was that the Caves of Altamira had been rediscovered having gone unseen for millennia. Sautuola published his findings but was scoffed at by his peers. In 1888, dejected by disbelief, he died a broken man. It wasn’t until the discovery of a group of caves in France’s Dordogne some years later, containing similar paintings to those found by Sautuola, was his discovery given credence and a public apology made posthumously.
Now where I stood on the site of his discovery there is an institution dedicated to the study and conservation of one of the world’s greatest treasures. Scientists from around the globe pore over the paintings of bison, stag, horses, wild pig and cryptic designs which have puzzled their armies of researchers. Including Altamira, Cantabria is home to over 50 such sites featuring cave art, one of the densest concentrations in the whole world.
Indeed the caves may have a greater significance for an Irish visitor than mere aesthetics alone. In an RTE television documentary, 'Blood of the Irish', through DNA research an interesting idea is presented. The idea being that the caves at Altamira and similar caves along the Northern Spanish coastline were the refuge of several small pockets of humanity during the last ice-age. The paintings are clear evidence that early man once thrived here and as the ice fields retreated the inhabitants may have used the area as a launch pad for their later migration northward, arriving eventually in Ireland. This raises a tantalising question; is it possible that the artists who once lived and raised families in these caves are really our Irish ancestors?
To preserve the cave’s paintings from literally being erased by the breaths of its visitors an exact replica, down to the cracks and fissures of the rock, has been painstakingly recreated. The building which houses this modern miracle – the Neo Cave – slinks on the horizon and barely creates a blemish on the landscape. Here, visitors can stand and wonder at the lives of those who created such masterpieces, they can explore their culture, beliefs, tools and weapons, their lives and deaths. The animals they relied upon for food and warmth. The music they made. Their social groupings. Even the ongoing work of the forensic anthropologists who investigate the site is available to all.
There are workshops for children and adults, exploring the everyday activities of the cave dwellers; hunting skills, fire making, prehistoric rhythms, the manufacture of clothing and most of all, how the paintings were created so lovingly and so long ago.
But Altamira is not a stuffy place of learning and academics, at least it wasn’t for me, it is also a place of inspiration and amazement, it is the home of true artistic process, “art for art’s sake”. As Picasso allegedly said, “...after Altamira everything else is just frivolity”. And as I looked at those paintings suspended in time I believe I understood just what he meant.
This story first appeared in The Carlow Nationalist 'Small World' - December 2009.
She was not familiar with the legendary Caves of Altamira with their magnificent and ancient wall paintings, or if she was, now was not the time to discuss their artistic merits. I felt hard done by as I scrubbed my efforts from the wall and wondered if some youth in Altamira had suffered the same tribulations for his art, a very long time ago.
Almost forty years later I stepped out of the bright Spanish sunshine and into another darkened room where I saw that very same bison which had charged from the pages of my childhood. Altamira has been on my ‘must see’ list for as long as I can remember, and so, one mid-September morning I arrived in the Cantabrian city of Santander, my final staging point for Altamira.
Santander, embracing a wide crescent-shaped bay, arrives as a welcome surprise. A Spanish holiday resort left over from a belle époque when royalty took the sea air and nobility strolled the beaches of El Sardinero. Balconied and brilliant white hotels line the promenade and flags flutter in the breeze from the dome of its Casino.
One street back from the sea the classical charm of the old world Hostal Paris offered a calm refuge. Its rooms have high spacious ceilings and were dressed tastefully with antique cane furniture accentuating their lightness. An elderly countess sitting with her embroidery and chaperoning a fair-skinned debutant in the downstairs drawing room would not have seemed at all out of place.
Once refreshed hunger drew me towards the old city and its narrow back-streets where I was spoiled for choice. Tapas bars were everywhere. Jamon Iberico cut with the precision of a surgeon, anchovies, seafood salads and tiny rounds of black pudding topped with even tinier fried quail eggs were washed down with brimming glasses of rich local wines. One could easily spend an evening hopping from tapas bar to tapas bar, sampling the inventiveness of their chefs. But alas, this was not my purpose and duty called.
Altamira stands on a hillside in rural Cantabria 30km West of Santander. To the North the land slopes easily past the butter-coloured stone houses and museums of Santillana del Mar – described by Jean Paul Sartre as “the most beautiful village in Spain”, – over rolling countryside where buff-coloured cattle graze on fragrant grasses, their bells tinkling in the breeze and on towards the long sandy beaches of Comillas. To the South the landscape gathers momentum culminating in the mountains of the Reserva Nacional de Saja and further again to the towering peaks of Los Picos de Europa; a nature lover’s paradise whose skies are filled with birds of prey and its forests run with wildlife.
In 1879 one Marcelino Salz de Sautuola, a learned man with an inquisitive mind who lived close to Altamira, was exploring a cave with his young daughter when she uttered the famous words “Mira papa, bueyes!”, “look father, oxen!” And so it was that the Caves of Altamira had been rediscovered having gone unseen for millennia. Sautuola published his findings but was scoffed at by his peers. In 1888, dejected by disbelief, he died a broken man. It wasn’t until the discovery of a group of caves in France’s Dordogne some years later, containing similar paintings to those found by Sautuola, was his discovery given credence and a public apology made posthumously.
Now where I stood on the site of his discovery there is an institution dedicated to the study and conservation of one of the world’s greatest treasures. Scientists from around the globe pore over the paintings of bison, stag, horses, wild pig and cryptic designs which have puzzled their armies of researchers. Including Altamira, Cantabria is home to over 50 such sites featuring cave art, one of the densest concentrations in the whole world.
Indeed the caves may have a greater significance for an Irish visitor than mere aesthetics alone. In an RTE television documentary, 'Blood of the Irish', through DNA research an interesting idea is presented. The idea being that the caves at Altamira and similar caves along the Northern Spanish coastline were the refuge of several small pockets of humanity during the last ice-age. The paintings are clear evidence that early man once thrived here and as the ice fields retreated the inhabitants may have used the area as a launch pad for their later migration northward, arriving eventually in Ireland. This raises a tantalising question; is it possible that the artists who once lived and raised families in these caves are really our Irish ancestors?
To preserve the cave’s paintings from literally being erased by the breaths of its visitors an exact replica, down to the cracks and fissures of the rock, has been painstakingly recreated. The building which houses this modern miracle – the Neo Cave – slinks on the horizon and barely creates a blemish on the landscape. Here, visitors can stand and wonder at the lives of those who created such masterpieces, they can explore their culture, beliefs, tools and weapons, their lives and deaths. The animals they relied upon for food and warmth. The music they made. Their social groupings. Even the ongoing work of the forensic anthropologists who investigate the site is available to all.
There are workshops for children and adults, exploring the everyday activities of the cave dwellers; hunting skills, fire making, prehistoric rhythms, the manufacture of clothing and most of all, how the paintings were created so lovingly and so long ago.
But Altamira is not a stuffy place of learning and academics, at least it wasn’t for me, it is also a place of inspiration and amazement, it is the home of true artistic process, “art for art’s sake”. As Picasso allegedly said, “...after Altamira everything else is just frivolity”. And as I looked at those paintings suspended in time I believe I understood just what he meant.
This story first appeared in The Carlow Nationalist 'Small World' - December 2009.
Labels:
Altamira,
Asturias,
Blood of the Irish,
Cantabria,
Carlow Nationalist.,
Cave Paintings,
Comillas,
Hostal Paris,
Lescaux,
Marcelino Salz de Sautuola,
Picasso,
Santander,
Santillana del Mar
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Saturday, May 5, 2012
Guimaraes - Capital of Culture 2012
In the far north of Portugal the city of Guimaraes is regarded as the cornerstone of the nation’s foundation. Travel writer Brendan Harding visits the city during its term as co-host of European Capital of Culture for 2012.
From the tenth-floor window of my hotel room I can see a tree. It is standing alone on the summit of a gently rounded hill cultivated with stepped terraces of gnarled and presently sleeping vines.
The neighbouring hills are thickly forested with oak, pine and eucalyptus; a hundred shades of green beneath an empty Spring sky of antique blue. The forests run headlong towards the valley, until their rush is tempered and halted by the first red-roofed houses; which in turn, take up the baton and continue the sweeping descent to the ancient city below.
The city in the valley is Guimaraes – co-host of Europe’s City of Culture for 2012 - a special place, cradled in the folds of a rolling countryside in Portugal’s far north; a land of history and culture, open doors and warm welcomes, homely cooking and the famed wines of the Douro valley. A city whose walls proudly proclaim the slogan ‘Aqui Nacoes Portugal’ – Portugal was born here.
The city has its origins in the 10th century when the noblewoman Countess Mumadona Dias ordered the construction of a monastery on the site. To defend the monastery the Countess requested a castle to be built nearby. In time settlements were established in the protective shadow of the castle’s battlements and a link was created between the places of worship and succour – the Rua de Santa Maria which still exists today and houses some of the city’s iconic buildings; the Convent of St. Clare, the Casa do Arco, the Casa dos Peixotos and the Casa dos Valadares.
Although a city of immense history Guimaraes is far from being an open-air museum dedicated to the preservation of historic buildings and monuments. Guimaraes is alive and vibrant, entertaining and educational, cultural and commercial and constantly renewing and improving the quality of life for its inhabitants and visitors.
It has taken over thirty-five years of concentrated effort to lovingly restore the ancient heart of the city - for most towns the work would finish here, happy in the knowledge of a job well done. But Guimaraes refuses to sit on its laurels and the city’s rejuvenation has spread outward. Along every street and square which surround the city’s bejewelled centre the work continues. Famed for its history as a centre for leather production huge granite tanning tanks, fed by the waters rushing from the surrounding hills, are now being restored and integrated into the aesthetic appeal of the place. Houses which have been fully restored by master craftspeople (and whose work is now in much demand at home and abroad) stand next to those who await their turn to shine again.
Wearing the badge of European City of Culture there is a palpable sense of pride among the inhabitants. In every shop window the owners display the city’s logo, a stylised heart, which each retailer has bizarrely decorated with their wares, accompanied by the city’s battle cry, ‘Eu Faco Parte’ – You Are Part. I witnessed this ‘being part’ of something as I watched neighbours gather every small piece of litter snagged in the bushes lining one of the city’s many rushing streams, or as I saw fresh flowers being arranged around one of the antique, wooden-carved, life-sized ‘stations of the cross’ which dot the town. A group of pre-school children marched in line, under the proud gaze of their teachers and locals alike, towards the gates of the Palace of the Dukes of Braganca holding hands in a snaking line and chanting over and over again the words ‘Viva Guimaraes!’
The city’s inhabitants know that their home is special among the cities and towns of Portugal and it is they who will keep it special. In restaurants, coffee shops, bars and hotels the owners and staff identified me as a tourist and went out of their way to explain a little of the history of their special place. In one such small restaurant, as the owner served me a local delicacy, the ‘Francesinha’ – a sandwich of bread, wet-cured ham, fresh sausage, roast meat, doused with melted cheese and a hot tomato and beer sauce served with French fries – without prompting she gave me the long family history of the place, illustrating its place in the city’s history through the visitor’s book filled with the comments and signatures of many famous guests. She was proud of her place in the history of the community as well as its place in the future.
Before I left the restaurant I asked about the single tree standing sentinel on the hilltop above the town. “It is a love story”, she replied gazing towards the hill, “it is a memory of two people who promised their love to each other many years ago. And now the family who own the farm will not allow it to be cut down. It is a part of their history and their family’s history.” I thought I could see moistness in her eyes, but I may have been mistaken.
On the station platform as I waited to board my train towards Porto and away from this enchanting city, the tree on the hill again caught my attention. When Guimaraes’ time in the spotlight as European City of Culture is done and the place seeks new inspiration, the city could do worse than look towards that single, lonely tree which constantly keeps watch over the city and its people, as a reminder of its past, present and future.
GETTING THERE:
RYANAIR fly direct to Porto twice weekly on Tuesday and Friday – www.ryanair.com
STAYING THERE:
Hotel Fundador, Guimaraes – www.hotelfundador.com
Hotel de Guimaraes, Guimaraes – www.hotel-guimaraes.com
GUIMARAES TOURISM:
Guimaraes Tourist Office – www.guimaraestourismo.com
European Capital of Culture, Guimaraes – www.guimaraes2012.pt
GETTING TO GUIMARAES:
1. Arrive Porto Airport
2. Turn right out of arrivals (don’t leave terminal)
3. Take lift to Metro level
4. Cross over to Metro – 100m
5. Purchase ticket from machine to Campanha station - €3.50 – journey time to Campanha 30minutes
6. Leave Campanha Metro station and walk 100m to ‘Porta’ – Train Station
7. Buy ticket to Guimaraes €3 – Trains leave every hour
8. Journey time from Campanha to Guimaraes 1hour 10minutes
From the tenth-floor window of my hotel room I can see a tree. It is standing alone on the summit of a gently rounded hill cultivated with stepped terraces of gnarled and presently sleeping vines.
The neighbouring hills are thickly forested with oak, pine and eucalyptus; a hundred shades of green beneath an empty Spring sky of antique blue. The forests run headlong towards the valley, until their rush is tempered and halted by the first red-roofed houses; which in turn, take up the baton and continue the sweeping descent to the ancient city below.
The city in the valley is Guimaraes – co-host of Europe’s City of Culture for 2012 - a special place, cradled in the folds of a rolling countryside in Portugal’s far north; a land of history and culture, open doors and warm welcomes, homely cooking and the famed wines of the Douro valley. A city whose walls proudly proclaim the slogan ‘Aqui Nacoes Portugal’ – Portugal was born here.
The city has its origins in the 10th century when the noblewoman Countess Mumadona Dias ordered the construction of a monastery on the site. To defend the monastery the Countess requested a castle to be built nearby. In time settlements were established in the protective shadow of the castle’s battlements and a link was created between the places of worship and succour – the Rua de Santa Maria which still exists today and houses some of the city’s iconic buildings; the Convent of St. Clare, the Casa do Arco, the Casa dos Peixotos and the Casa dos Valadares.
Although a city of immense history Guimaraes is far from being an open-air museum dedicated to the preservation of historic buildings and monuments. Guimaraes is alive and vibrant, entertaining and educational, cultural and commercial and constantly renewing and improving the quality of life for its inhabitants and visitors.
It has taken over thirty-five years of concentrated effort to lovingly restore the ancient heart of the city - for most towns the work would finish here, happy in the knowledge of a job well done. But Guimaraes refuses to sit on its laurels and the city’s rejuvenation has spread outward. Along every street and square which surround the city’s bejewelled centre the work continues. Famed for its history as a centre for leather production huge granite tanning tanks, fed by the waters rushing from the surrounding hills, are now being restored and integrated into the aesthetic appeal of the place. Houses which have been fully restored by master craftspeople (and whose work is now in much demand at home and abroad) stand next to those who await their turn to shine again.
Wearing the badge of European City of Culture there is a palpable sense of pride among the inhabitants. In every shop window the owners display the city’s logo, a stylised heart, which each retailer has bizarrely decorated with their wares, accompanied by the city’s battle cry, ‘Eu Faco Parte’ – You Are Part. I witnessed this ‘being part’ of something as I watched neighbours gather every small piece of litter snagged in the bushes lining one of the city’s many rushing streams, or as I saw fresh flowers being arranged around one of the antique, wooden-carved, life-sized ‘stations of the cross’ which dot the town. A group of pre-school children marched in line, under the proud gaze of their teachers and locals alike, towards the gates of the Palace of the Dukes of Braganca holding hands in a snaking line and chanting over and over again the words ‘Viva Guimaraes!’
The city’s inhabitants know that their home is special among the cities and towns of Portugal and it is they who will keep it special. In restaurants, coffee shops, bars and hotels the owners and staff identified me as a tourist and went out of their way to explain a little of the history of their special place. In one such small restaurant, as the owner served me a local delicacy, the ‘Francesinha’ – a sandwich of bread, wet-cured ham, fresh sausage, roast meat, doused with melted cheese and a hot tomato and beer sauce served with French fries – without prompting she gave me the long family history of the place, illustrating its place in the city’s history through the visitor’s book filled with the comments and signatures of many famous guests. She was proud of her place in the history of the community as well as its place in the future.
Before I left the restaurant I asked about the single tree standing sentinel on the hilltop above the town. “It is a love story”, she replied gazing towards the hill, “it is a memory of two people who promised their love to each other many years ago. And now the family who own the farm will not allow it to be cut down. It is a part of their history and their family’s history.” I thought I could see moistness in her eyes, but I may have been mistaken.
On the station platform as I waited to board my train towards Porto and away from this enchanting city, the tree on the hill again caught my attention. When Guimaraes’ time in the spotlight as European City of Culture is done and the place seeks new inspiration, the city could do worse than look towards that single, lonely tree which constantly keeps watch over the city and its people, as a reminder of its past, present and future.
GETTING THERE:
RYANAIR fly direct to Porto twice weekly on Tuesday and Friday – www.ryanair.com
STAYING THERE:
Hotel Fundador, Guimaraes – www.hotelfundador.com
Hotel de Guimaraes, Guimaraes – www.hotel-guimaraes.com
GUIMARAES TOURISM:
Guimaraes Tourist Office – www.guimaraestourismo.com
European Capital of Culture, Guimaraes – www.guimaraes2012.pt
GETTING TO GUIMARAES:
1. Arrive Porto Airport
2. Turn right out of arrivals (don’t leave terminal)
3. Take lift to Metro level
4. Cross over to Metro – 100m
5. Purchase ticket from machine to Campanha station - €3.50 – journey time to Campanha 30minutes
6. Leave Campanha Metro station and walk 100m to ‘Porta’ – Train Station
7. Buy ticket to Guimaraes €3 – Trains leave every hour
8. Journey time from Campanha to Guimaraes 1hour 10minutes
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Sunday, April 29, 2012
Tipilikwani... The Medicine Tree
Many of Kenya’s safari camps exude luxury and style set in the heart of the Kenyan bush, but mix that luxury with a first-class local guide and the experience can be enhanced a thousand times as travel writer Brendan Harding discovered at Atua Enkop Africa’s Tipilikwani camp.
If anyone should know the medicinal properties of the plants and trees which grow on the banks of Kenya’s Talek and Mara rivers it is the Maasai people who have called these rolling grasslands home since long before its appearance on any modern-day map.
One such medicine, locked away in the lore of the Maasai, comes from a tree known in the Maa language as tipilikwani. The medicine is said to possess restorative powers which has refreshed the bodies and minds of the Maasai warriors and their families for centuries. Like many ancient and folkloric cures, the exact means of preparation and use of the medicine have become blurred with time. Its loss is yet one more example of the pressures of modern life encroaching on long established traditional values.
But all is not lost. On the steeply eroded banks of the Talek river, where eagles patrol the skies and reedbuck drink secretively from its waters in the welcome coolness of the Kenyan evening, this restorative medicine has been rediscovered and is waiting to be tasted once again.
Tipilikwani tented camp is a medicine of a different kind. A place of quiet hours and fine food, of luxurious spa treatments in open spaces, of the sounds and sights of nature viewed and heard from the veranda of your tastefully designed and luxuriously appointed safari tent.
What better medicine than to wake to the sound of the Kenyan bush coming to life only metres from where you lie. What better sight than to emerge from your canvas and greet the rising sun and the changing pallet of the Kenyan sky.
But not all of Tipilikwani’s rewards are handed over without a little effort. 6am is an early start and from the back of your safari jeep as the vehicle bumps its way from Tipilikwani’s securely guarded compound you can be forgiven for wishing you had stayed in bed. That wish, however, is short lived once the riverine forest recedes behind you and the majesty of one of the world’s natural wonders, the Maasai Mara, opens before you.
During my stay at Tipilikwani I had been assigned to travel with Dee, a Maasai native, as my guide. With Dee there were none of the costume deceptions of so many other tourist camps; where men dressed as Maasai or Samburu warriors masquerade as the real thing. Dee was the real thing. Typically tall he wore a smile as broad as the leather encased Maasai blade that hung from his waist. Like all Maasai men he constantly shifted the red shuka, the traditional cloth which hung from his shoulders to his knees, with long instrumental fingers. The bronze bracelets on his wrists jangled when he shook hands, which he did every time he passed someone he knew. On his feet he wore sandals fashioned from scavenged car tires which lent him the gait of a stalking cat.
But it was in the bush that his real nature emerged. Dee, it was obvious from the first moment we left Tipilikwani and revved the jeep’s engine towards the rising sun, was at home in the natural world. An expertly qualified guide, his knowledge was learned from books and also from his heritage and upbringing as a Maasai. Years spent herding cattle and goats in the wild - while his mother, aunts and sisters built huts, gathered firewood from distant forests and water from the distant wells - had honed his knowledge of every plant, animal, bird and reptile with whom he shared the Mara’s plains.
Out in the wildness of the Mara grasslands fleeting glimpses of creatures which were once, to me, merely an assortment of tiny, brown and dun-coloured birds darting among the scrubby grassland bush, were given names without a second glance: little greenbul, tawny pipit, lesser short-toed lark, red-backed shrike, Boehm’s flycatcher; Dee had sensed my interest in birds and smiled enthusiastically with each new sighting.
Beneath a large fever tree he stopped the jeep, silenced the engine and pointed towards the tree’s crown with long slender fingers. On the loftiest branch two eagles stood side by side. For what seemed like an eternity in the Mara’s silence we whispered our thoughts as we fingered through bird books, until finally we were satisfied. Bateleur eagles, possibly siblings and still wearing the plumage of juveniles. As we drove away we both wore silly and childish grins, delighted by our collective detective work.
I couldn’t help but thinking that perhaps Dee had rarely been allowed the time to share the smaller creatures of the Mara, always ushered on by tourists, new to Kenya and the Mara, demanding to capture their digital images of the ‘Big Five’ in as short a time as possible – and rightly so. But without that need for hurry the Mara has so much more to offer. Throughout the day Dee lifted the veil from his world and showed me many miracles: a newborn Thompson’s gazelle, barely discernable as it lay motionless and perfectly camouflaged in the tawny grass; a giant leopard tortoise also invisible to my ignorant eyes and the tiny African pygmy kingfisher whose colours startled in contrast in the sameness of the brown savannah.
But it was an encounter with a female leopard, walking nonchalantly along the middle of a dirt road, which made our day complete. The leopard, at first spooked by our presence soon calmed as Dee made a soft sucking sound with his lips. She then quietly sat in the shade of a nearby bush and watched with big yellow eyes at the two strangers in her realm. It was simply magical.
Throughout the journey back to Tipilikwani and the fine evening meal which waited in its serenity, our faces were creased with smiles. There was no requirement for words, we had both shared something unique, something rare and we knew it. Tipilikwani, and the Mara, had revived our jaded pallets with its delicious and restorative medicine.
GETTING THERE:
KLM fly from Amsterdam (via Aer Lingus - www.aerlingus.com - connections from Dublin) to Nairobi – www.klm.com
STAYING THERE:
Tipilikwani Camp is operated by Atua Enkop Africa – www.atua-enkop.com - Tel: +254 (20) 4450035/6, 4440276 – Email: reservations@atua-enkop.com
Other Atua Enkop Africa camps include; Elephant Bedroom Camp, Samburu; Mbweha Camp, Lake Nakuru and the exclusive Mara Ngenche. All prices and details from www.atua-enkop.com
CORPORATE SOCIAL RESPONSIBILITY:
• Provision of fresh clean water to the local communities
• Funding of a school building project
• Tree planting
• Support and marketing of local handicrafts
• Provision of toilets at Samburu airstrip
If anyone should know the medicinal properties of the plants and trees which grow on the banks of Kenya’s Talek and Mara rivers it is the Maasai people who have called these rolling grasslands home since long before its appearance on any modern-day map.
One such medicine, locked away in the lore of the Maasai, comes from a tree known in the Maa language as tipilikwani. The medicine is said to possess restorative powers which has refreshed the bodies and minds of the Maasai warriors and their families for centuries. Like many ancient and folkloric cures, the exact means of preparation and use of the medicine have become blurred with time. Its loss is yet one more example of the pressures of modern life encroaching on long established traditional values.
But all is not lost. On the steeply eroded banks of the Talek river, where eagles patrol the skies and reedbuck drink secretively from its waters in the welcome coolness of the Kenyan evening, this restorative medicine has been rediscovered and is waiting to be tasted once again.
Tipilikwani tented camp is a medicine of a different kind. A place of quiet hours and fine food, of luxurious spa treatments in open spaces, of the sounds and sights of nature viewed and heard from the veranda of your tastefully designed and luxuriously appointed safari tent.
What better medicine than to wake to the sound of the Kenyan bush coming to life only metres from where you lie. What better sight than to emerge from your canvas and greet the rising sun and the changing pallet of the Kenyan sky.
But not all of Tipilikwani’s rewards are handed over without a little effort. 6am is an early start and from the back of your safari jeep as the vehicle bumps its way from Tipilikwani’s securely guarded compound you can be forgiven for wishing you had stayed in bed. That wish, however, is short lived once the riverine forest recedes behind you and the majesty of one of the world’s natural wonders, the Maasai Mara, opens before you.
During my stay at Tipilikwani I had been assigned to travel with Dee, a Maasai native, as my guide. With Dee there were none of the costume deceptions of so many other tourist camps; where men dressed as Maasai or Samburu warriors masquerade as the real thing. Dee was the real thing. Typically tall he wore a smile as broad as the leather encased Maasai blade that hung from his waist. Like all Maasai men he constantly shifted the red shuka, the traditional cloth which hung from his shoulders to his knees, with long instrumental fingers. The bronze bracelets on his wrists jangled when he shook hands, which he did every time he passed someone he knew. On his feet he wore sandals fashioned from scavenged car tires which lent him the gait of a stalking cat.
But it was in the bush that his real nature emerged. Dee, it was obvious from the first moment we left Tipilikwani and revved the jeep’s engine towards the rising sun, was at home in the natural world. An expertly qualified guide, his knowledge was learned from books and also from his heritage and upbringing as a Maasai. Years spent herding cattle and goats in the wild - while his mother, aunts and sisters built huts, gathered firewood from distant forests and water from the distant wells - had honed his knowledge of every plant, animal, bird and reptile with whom he shared the Mara’s plains.
Out in the wildness of the Mara grasslands fleeting glimpses of creatures which were once, to me, merely an assortment of tiny, brown and dun-coloured birds darting among the scrubby grassland bush, were given names without a second glance: little greenbul, tawny pipit, lesser short-toed lark, red-backed shrike, Boehm’s flycatcher; Dee had sensed my interest in birds and smiled enthusiastically with each new sighting.
Beneath a large fever tree he stopped the jeep, silenced the engine and pointed towards the tree’s crown with long slender fingers. On the loftiest branch two eagles stood side by side. For what seemed like an eternity in the Mara’s silence we whispered our thoughts as we fingered through bird books, until finally we were satisfied. Bateleur eagles, possibly siblings and still wearing the plumage of juveniles. As we drove away we both wore silly and childish grins, delighted by our collective detective work.
I couldn’t help but thinking that perhaps Dee had rarely been allowed the time to share the smaller creatures of the Mara, always ushered on by tourists, new to Kenya and the Mara, demanding to capture their digital images of the ‘Big Five’ in as short a time as possible – and rightly so. But without that need for hurry the Mara has so much more to offer. Throughout the day Dee lifted the veil from his world and showed me many miracles: a newborn Thompson’s gazelle, barely discernable as it lay motionless and perfectly camouflaged in the tawny grass; a giant leopard tortoise also invisible to my ignorant eyes and the tiny African pygmy kingfisher whose colours startled in contrast in the sameness of the brown savannah.
But it was an encounter with a female leopard, walking nonchalantly along the middle of a dirt road, which made our day complete. The leopard, at first spooked by our presence soon calmed as Dee made a soft sucking sound with his lips. She then quietly sat in the shade of a nearby bush and watched with big yellow eyes at the two strangers in her realm. It was simply magical.
Throughout the journey back to Tipilikwani and the fine evening meal which waited in its serenity, our faces were creased with smiles. There was no requirement for words, we had both shared something unique, something rare and we knew it. Tipilikwani, and the Mara, had revived our jaded pallets with its delicious and restorative medicine.
GETTING THERE:
KLM fly from Amsterdam (via Aer Lingus - www.aerlingus.com - connections from Dublin) to Nairobi – www.klm.com
STAYING THERE:
Tipilikwani Camp is operated by Atua Enkop Africa – www.atua-enkop.com - Tel: +254 (20) 4450035/6, 4440276 – Email: reservations@atua-enkop.com
Other Atua Enkop Africa camps include; Elephant Bedroom Camp, Samburu; Mbweha Camp, Lake Nakuru and the exclusive Mara Ngenche. All prices and details from www.atua-enkop.com
CORPORATE SOCIAL RESPONSIBILITY:
• Provision of fresh clean water to the local communities
• Funding of a school building project
• Tree planting
• Support and marketing of local handicrafts
• Provision of toilets at Samburu airstrip
Labels:
Aer Lingus,
Atua Enkop Africa,
Bateleur Eagle,
flycatcher,
Kenya,
KLM airlines,
Leopard,
little greenbul,
Maasai Mara,
Mara River,
red-backed shrike,
Reedbuck,
short-toed lark,
Talek River,
tawny pipit,
Tipilikwani
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Tuesday, April 24, 2012
Positively Poznan
In the third and final installment of his series on Euro 2012 travel writer Brendan Harding gets to grips with Poznan, the main fan-base for Irish fans during this Summer's football spectacular.
The train to Poznan from Gdansk arrived with uncanny time-keeping: the clock on the station platform read 19:59, exactly as predicted on the timetable.
Outside the station, and despite the late hour of arrival, the work on the construction of the new station, and central transport hub, continued unceasingly and is due to be completed long before the Euro 2012 kick off. Poznan, it was clear, was hard at work making sure that the city's part in this summer’s football showpiece would be remembered for all the right reasons.
The five hour journey from Gdansk had been hitch-free (and alcohol free it must be noted). The train had skimmed through a flat landscape of pastoral beauty where ever-alert deer fed on shoots of new grass by the edge of dark, fairy-tale forests; storks picked through the furrows of newly ploughed fields, and from the chimney stacks of remote lake-side houses smoke drifted skyward in nebulous pink columns into the fading evening sky. A journey which reminded those whizzing past in speeding carriages that Poland is more than a once-off destination.
After a quick change in the wonderfully appointed Andersia Hotel Poznan's inviting streets awaited exploration.
It was Saturday night and the streets were filling fast. As a temporary home to over 140,000 students the city seems to inhale and exhale with the breaths of every living person. Cafes, bars and bistros were vibrant with the sounds of lively chatter and an eclectic musical backdrop. This constant and animated student presence is the main reason why prices will remain low when the circus rolls into town next June.
At one vodka bar, where a youth dressed in a Soviet-era police uniform stood smiling awkwardly like a theatrical prop by the door, the crowds inside were already in high spirits. 'All Drinks €1 EACH' the sign on the window declared as my liver gave an audible groan.
With such a choice of entertainment fuel would be required. In the basement restaurant of the Gospoda Pod Koziolkami on the old city square (The Inn under the Goats – I'll get to that) the period-costumed waiting staff filled the groaning table with pirogi and dumplings, roasted duck flesh and pork meat, breaded fishes and tender steaks. Local beers of countless varieties were swilled with a joie-de-vivre at every full and ebullient table.
Thus armed the night came and went in a haze of song and new friends. The talk was of football and expectations, what-ifs and maybes, and the daringly uttered words of Semi-Finals and Final.
In the cold light of day I retraced my steps through now bright streets and saw, properly, the beauty of Poznan. In the night's darkness I had missed the romance of the Old Town and the Old Market Square where the antique merchant's houses rub shoulders with cathedrals of spirituality and palaces of culture. Each day on the stroke of noon, in the clock tower of the Town Hall, two metal Billy Goats appear and lock horns. These same goats have lent their name, and their image, to everything from restaurants to the mascots of the local football team Lech Poznan (the mascots are called Gzub and Ejber, in case you're interested).
On a bright Sunday afternoon I got a taste of the championships to come. Enclosed in the white orb of the city stadium the noise emanating from the blue-shirted Lech Poznan fans as their team beat Slask Wroclaw two goals to nil, emphasised the sheer scale of what might be. The Poznan fans are known worldwide for their vociferous qualities and the complicated choreography which accompany their chants. So well performed are these spectacles that the act of turning their backs on the field of play while jumping up and down in unison has come to be known simply as 'doing The Poznan'. As I stood in the stands I imagined the shirts had changed from blue to green, the players names from Polish to Irish and the chants became ones I knew and anticipated with relish. June couldn't come quickly enough.
Getting to the stadium couldn't be easier with trams running from the city centre direct to the grounds. Armed with nothing more than a Poznan City Card fans can ride public transport within the city, access museums and other cultural centres and receive discounts in a city already serving value for money as a staple. Free shuttle busses will also be provided from the specially designed city centre Fan Zones; places where those without tickets can indulge in the atmosphere, eat, drink and party until the briefly disappeared midnight sun rises once again over the city. Also, the tournament's Host Cities have prepared a single integrated public transport ticket – the Polish Pass – valid for the duration of the tournament (www.polishguide2012.pl)
Well known for hosting international conferences and exhibitions finding accommodation in Poznan should not pose too much of a problem. From top class hotels (with top prices too) to smaller, more affordable options such as lesser-quality hotels, guesthouses, hostels and campsites, fans will have a wide choice. But, be warned, early booking is essential. As the day draws closer prices may rise dramatically.
I was enthralled by Poznan, and a little surprised by this beautiful and welcoming city. Over one of the finest meals I've had the pleasure to experience (a lovingly hand-made pie assembled from a cornucopia of mouth-watering delights), in the homely atmosphere of the TOGA Restaurant on Ul. Ratajczaka, I found a place where homage is paid to organic and seasonal ingredients. The food, I imagined, was from an age when care was taken to preparation and presentation, until I realised that Poznan, and Poland, also live by this self-same mantra. The country is prepared, and ready, to present a feast for one and all.
INFO BOX GETTING THERE:
Ryanair fly direct to Poznan from Dublin - www.ryanair.ie
STAYING THERE:
Andersia Hotel (4 Star) - www.andersiahotel.pl
Hotel Lech (2 Star) - www.hotel-lech.poznan.pl
Fusion Hostel (Old Town) - www.fusionhostel.pl
Melody Hostel (Old Town) - www.melody-hostel.pl
Frolic Goats Hostel (Old Town). Also has a large selection of apartments (250) 16km from the city centre with easy transport day and night) - www.frolicgoatshostel.com
EATING THERE
Gospoda Pod Koziokami (Old Town) - www.podkoziolkami.pl
TOGA Restaurant, Ul. Ratajczaka - www.toga.poznan.pl
Browaria Restaurant (Old Town) - www.brovaria.pl/EN-H28.html
Vinebridge Restaurant (Multi Award Winning Chef and Harmony Brewery Organic Beers) - www.vinebridge.pl
NIGHTLIFE:
The Dubliner Pub - http://www.dubliner.com.pl/index.php/lan/en/a/1
Dragon Bar (Old Town, 24 Hour, eclectic and arty bar), Ul. Zamkowa - http://www.dragon.krzyk.pl/
Poznan Local Tourist Office - www.plot.poznan.pl
ADDITIONAL INFORMATION
Euro Poznan - www.europoznan2012.pl
Poznan Local Tourist Office - www.plot.poznan.pl
The train to Poznan from Gdansk arrived with uncanny time-keeping: the clock on the station platform read 19:59, exactly as predicted on the timetable.
Outside the station, and despite the late hour of arrival, the work on the construction of the new station, and central transport hub, continued unceasingly and is due to be completed long before the Euro 2012 kick off. Poznan, it was clear, was hard at work making sure that the city's part in this summer’s football showpiece would be remembered for all the right reasons.
The five hour journey from Gdansk had been hitch-free (and alcohol free it must be noted). The train had skimmed through a flat landscape of pastoral beauty where ever-alert deer fed on shoots of new grass by the edge of dark, fairy-tale forests; storks picked through the furrows of newly ploughed fields, and from the chimney stacks of remote lake-side houses smoke drifted skyward in nebulous pink columns into the fading evening sky. A journey which reminded those whizzing past in speeding carriages that Poland is more than a once-off destination.
After a quick change in the wonderfully appointed Andersia Hotel Poznan's inviting streets awaited exploration.
It was Saturday night and the streets were filling fast. As a temporary home to over 140,000 students the city seems to inhale and exhale with the breaths of every living person. Cafes, bars and bistros were vibrant with the sounds of lively chatter and an eclectic musical backdrop. This constant and animated student presence is the main reason why prices will remain low when the circus rolls into town next June.
At one vodka bar, where a youth dressed in a Soviet-era police uniform stood smiling awkwardly like a theatrical prop by the door, the crowds inside were already in high spirits. 'All Drinks €1 EACH' the sign on the window declared as my liver gave an audible groan.
With such a choice of entertainment fuel would be required. In the basement restaurant of the Gospoda Pod Koziolkami on the old city square (The Inn under the Goats – I'll get to that) the period-costumed waiting staff filled the groaning table with pirogi and dumplings, roasted duck flesh and pork meat, breaded fishes and tender steaks. Local beers of countless varieties were swilled with a joie-de-vivre at every full and ebullient table.
Thus armed the night came and went in a haze of song and new friends. The talk was of football and expectations, what-ifs and maybes, and the daringly uttered words of Semi-Finals and Final.
In the cold light of day I retraced my steps through now bright streets and saw, properly, the beauty of Poznan. In the night's darkness I had missed the romance of the Old Town and the Old Market Square where the antique merchant's houses rub shoulders with cathedrals of spirituality and palaces of culture. Each day on the stroke of noon, in the clock tower of the Town Hall, two metal Billy Goats appear and lock horns. These same goats have lent their name, and their image, to everything from restaurants to the mascots of the local football team Lech Poznan (the mascots are called Gzub and Ejber, in case you're interested).
On a bright Sunday afternoon I got a taste of the championships to come. Enclosed in the white orb of the city stadium the noise emanating from the blue-shirted Lech Poznan fans as their team beat Slask Wroclaw two goals to nil, emphasised the sheer scale of what might be. The Poznan fans are known worldwide for their vociferous qualities and the complicated choreography which accompany their chants. So well performed are these spectacles that the act of turning their backs on the field of play while jumping up and down in unison has come to be known simply as 'doing The Poznan'. As I stood in the stands I imagined the shirts had changed from blue to green, the players names from Polish to Irish and the chants became ones I knew and anticipated with relish. June couldn't come quickly enough.
Getting to the stadium couldn't be easier with trams running from the city centre direct to the grounds. Armed with nothing more than a Poznan City Card fans can ride public transport within the city, access museums and other cultural centres and receive discounts in a city already serving value for money as a staple. Free shuttle busses will also be provided from the specially designed city centre Fan Zones; places where those without tickets can indulge in the atmosphere, eat, drink and party until the briefly disappeared midnight sun rises once again over the city. Also, the tournament's Host Cities have prepared a single integrated public transport ticket – the Polish Pass – valid for the duration of the tournament (www.polishguide2012.pl)
Well known for hosting international conferences and exhibitions finding accommodation in Poznan should not pose too much of a problem. From top class hotels (with top prices too) to smaller, more affordable options such as lesser-quality hotels, guesthouses, hostels and campsites, fans will have a wide choice. But, be warned, early booking is essential. As the day draws closer prices may rise dramatically.
I was enthralled by Poznan, and a little surprised by this beautiful and welcoming city. Over one of the finest meals I've had the pleasure to experience (a lovingly hand-made pie assembled from a cornucopia of mouth-watering delights), in the homely atmosphere of the TOGA Restaurant on Ul. Ratajczaka, I found a place where homage is paid to organic and seasonal ingredients. The food, I imagined, was from an age when care was taken to preparation and presentation, until I realised that Poznan, and Poland, also live by this self-same mantra. The country is prepared, and ready, to present a feast for one and all.
INFO BOX GETTING THERE:
Ryanair fly direct to Poznan from Dublin - www.ryanair.ie
STAYING THERE:
Andersia Hotel (4 Star) - www.andersiahotel.pl
Hotel Lech (2 Star) - www.hotel-lech.poznan.pl
Fusion Hostel (Old Town) - www.fusionhostel.pl
Melody Hostel (Old Town) - www.melody-hostel.pl
Frolic Goats Hostel (Old Town). Also has a large selection of apartments (250) 16km from the city centre with easy transport day and night) - www.frolicgoatshostel.com
EATING THERE
Gospoda Pod Koziokami (Old Town) - www.podkoziolkami.pl
TOGA Restaurant, Ul. Ratajczaka - www.toga.poznan.pl
Browaria Restaurant (Old Town) - www.brovaria.pl/EN-H28.html
Vinebridge Restaurant (Multi Award Winning Chef and Harmony Brewery Organic Beers) - www.vinebridge.pl
NIGHTLIFE:
The Dubliner Pub - http://www.dubliner.com.pl/index.php/lan/en/a/1
Dragon Bar (Old Town, 24 Hour, eclectic and arty bar), Ul. Zamkowa - http://www.dragon.krzyk.pl/
Poznan Local Tourist Office - www.plot.poznan.pl
ADDITIONAL INFORMATION
Euro Poznan - www.europoznan2012.pl
Poznan Local Tourist Office - www.plot.poznan.pl
Labels:
Andersia Hotel,
Ejber,
Euro 2012,
Gdansk,
Gospoda Pod Koziolkami,
Gzub,
Lech Poznan,
Poland,
Polish Pass,
Poznan,
Poznan transport,
Ryanair to Poznan,
Toga Restaurant
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